Novelia D.S, Amanda and Ar. Ir. Heru Sufianto,, M.Arch.St, Ph.D, IAI (2023) Perancangan Pusat Film dan Fotografi di Kota Batu dengan Pendekatan Arsitektur Analogi. Sarjana thesis, Universitas Brawijaya.
Abstract
Perkembangan sektor ekonomi kreatif fotografi dan film yang ditandai dengan munculnya berbagai macam event dan komuntas. Komunitas fotografi di Jawa Timur seperti KFI, Malang Jepret Jepret, Malang Photo Club, dan masih banyak lagi menandakan bahwa sektor film dan fotografi memiliki banyak peminat. Tingginya minat dan potensi pada sektor tersebut, menyebabkan kebutuhan akan fasilitas untuk meningkatkan perkembangan industri film dan fotografi serta wadah untuk mengapresiasi karya. Oleh karena itu, perlu didirikan Pusat Film dan Fotografi yang mewadahi kegiatan tourism di Kota Batu, sebagai wadah untuk komunitas fotografi dan film, serta meningkatkan perekonomian di Kota Batu melalui kegiatan komersial. Fasilitas yang tersedia mampu mewadahi kegiatan tourism, community, dan commercial bagi pengunjung. Kegiatan tourism diwujudkan dengan hadirnya berbagai hiburan yang ditawarkan. Sedangkan kegiatan komunitas dan komersial diwadahi melalui fasilitas yang dapat disewakan untuk mengasah hobi dan area pertokoan. Kebutuhan tiap ruangnya harus disesuaikan dengan standart perancangan seperti luasan, pencahayaan, penghawaan dan material yang digunakan untuk memberikan rasa nyaman bagi pengunjung. Analisis mengenai kebutuhan ruang dilakukan melalui observasi tapak yang dilakukan untuk menentukan solusi desain yang sesuai. Tahapan proses perancangan menggunakan metode paradigma rasionalis dengan studi preseden objek sejenis dan studi preseden pendekatan. Hasil rancangan menerapkan prinsip analogy simbolik. Objek yang menjadi analogy yaitu lensa kamera dan rol film. Lensa dan rol film kemudian mengalami transformasi disesuaikan dengan kebutuhan ruang. Hasil dari rancangan ini yaitu desain fasad bangunan, tata ruang, tata massa, lansekap, dan interior yang menerapkan pendekatan analogy. Analogi muncul melalui denah dan bentuk massa bangunan yang berbentuk lingkaran seperti lensa kamera. Elemen-elemen lengkung sebagai analogi dari rol film juga muncul pada interior dan lansekap bangunan. Pusat Film dan Fotografi ini terdiri dari empat massa bangunan dengan fasilitas yang berbeda-beda di tiap massanya. Konsep fasad bangunan di dalam tapak yaitu tersembunyi. Fasad bangunan yang tersembunyi ini menganalogikan proses pengambilan gambar menggunakan kamera. Pada perancangan ini, prinsip analogi telah diterapkan untuk mewadahi kegiatan komunitas dan komersial. Kegiatan komunitas diwadahi melalui fasilitas ruang komunal dan ruang serbaguna. Sedangkan kegiatan komersial diwadahi melalui retail, studio film dan foto yang disewakan, bioskop dan galeri pameran.
English Abstract
The development of the creative economy sector of photography and film is marked by the emergence of various kinds of events and communities. Photographic communities in East Java such as KFI, Malang Jepret Jepret, Malang Photo Club, and many more indicate that the film and photography sector has many enthusiasts. The high interest and potential in this sector has led to the need for facilities to enhance the development of the film and photography industries as well as a place to appreciate works. Therefore, it is necessary to establish a Film and Photography Center which accommodates tourism activities in Batu City, as a forum for the photography and film community, as well as boosting the economy in Batu City through commercial activities. The available facilities are able to accommodate tourism, community and commercial activities for visitors. Tourism activities are realized by the presence of a variety of entertainment offered. Meanwhile, community and commercial activities are accommodated through facilities that can be rented out to hone hobbies and shopping areas. The needs of each space must be adjusted to design standards such as area, lighting, ventilation and materials used to provide a sense of comfort for visitors. Analysis of space requirements is carried out through site observations to determine the appropriate design solution. The stages of the design process use the rationalist paradigm method with similar object precedent studies and approach precedent studies. The design results apply the principle of symbolic analogy. The object that becomes the analogy is the camera lens and film roll. The lens and roll of film then undergo a transformation according to space requirements. The results of this design are the design of building facades, spatial planning, mass planning, landscape and interior which apply an analogy approach. An analogy emerges through the plan and shape of the building mass which is circular in shape like a camera lens. Curved elements as an analogy to film rolls also appear in building interiors and landscapes. The Film and Photography Center consists of four building masses with different facilities in each mass. The concept of the building facade on the site is hidden. The facade of this hidden building is analogous to the process of taking pictures using a camera. In this design, the analogy principle has been applied to accommodate community and commercial activities. Community activities are accommodated through communal space and function room facilities. Meanwhile, commercial activities are accommodated through retail, film and photo studios for rent, cinemas and exhibition galleries.
Other obstract
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| Item Type: | Thesis (Sarjana) |
|---|---|
| Identification Number: | 0523070171 |
| Uncontrolled Keywords: | Pusat Film dan Fotografi, Analogi, Simbolik |
| Subjects: | 700 The Arts > 720 Architecture |
| Divisions: | Fakultas Teknik > Arsitektur |
| Depositing User: | Endang Susworini |
| Date Deposited: | 22 Sep 2023 01:09 |
| Last Modified: | 22 Sep 2023 01:09 |
| URI: | http://repository.ub.ac.id/id/eprint/203134 |
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