Meirani, Ratih Putri (2019) Representasi Postfeminist Femininity Tokoh Christine Mcpherson Dalam Film Lady Bird. Sarjana thesis, Universitas Brawijaya.
Abstract
Skripsi ini berjudul Representasi Postfeminist Femininity Tokoh Christine McPherson dalam Film Lady Bird. Penelitian ini bertujuan untuk mengetahui penggambaran postfeminist femininity pada tokoh utama perempuan dalam film Lady Bird. Penelitian ini menggunakan metode kualitatif deskriptif yang dianalisis menggunakan Semiotika Roland Barthes. Dari hasil penelitian, penggambaran postfeminist femininity tokoh Christine terlihat dalam 7 kategori nilai-nilai postfeminist femininity. Tujuh kategori tersebut adalah mental state, physical state, emotional state, sexual state, cultural state, occupational state dan familial state. Christine digambarkan sebagai sosok yang peduli terhadap pendidikannya, berpandangan luas, menampilkan dirinya seperti apa yang ia ingini, bertekad kuat, sadar diri namun sering mengalami krisis identitas, rebel, independen, mau bekerja, dan lebih mementingkan teman daripada keluarganya. Dari teks yang tampak, Christine memiliki ketujuh kategori tersebut dalam dirinya, namun masih pula terdapat nilai femininitas tradisional dalam dirinya. Hal ini menunjukkan bahwa konstruksi lama terkait femininitas sulit untuk dihilangkan.
English Abstract
This thesis is entitled Postfeminist Femininity Representation of Christine McPherson’s Character in Lady Bird Movie. This study aims to find out the postfeminist femininity depiction of the main female characters in the film Lady Bird. This research uses descriptive qualitative methods which are analyzed using Roland Barthes's Semiotics. From the results of the study, the description of the postfeminist femininity of Christine is seen in 7 categories of postfeminist femininity values. The seven categories are mental state, physical state, emotional state, sexual state, cultural state, occupational state and familial state. Christine is portrayed as a person who cares about her education, has a broad view, shows herself what she wants, is determined, self-conscious but often experiences an identity crisis, rebel, independent, willing to work, and is more concerned with friends than her family. From the visible text, Christine has the seven categories in her, but there is still a value of traditional femininity in her. This shows that the old construction related to femininity is difficult to eliminate
Other obstract
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| Item Type: | Thesis (Sarjana) |
|---|---|
| Identification Number: | SKR/FISIP/2019/578/051905424 |
| Uncontrolled Keywords: | Representasi, Semiotika, Postfeminist Femininity, Film, Lady Bird, Representation, Semiotics, Postfeminist Femininity, Movie, Lady Bird |
| Subjects: | 700 The Arts > 791 Public performances > 791.4 Motion pictures, radio, television > 791.43 Motion pictures > 791.437 Films |
| Divisions: | Fakultas Ilmu Sosial dan Ilmu Politik > Ilmu Komunikasi |
| Depositing User: | Nur Cholis |
| Date Deposited: | 23 Jul 2020 07:01 |
| Last Modified: | 31 Jul 2020 06:03 |
| URI: | http://repository.ub.ac.id/id/eprint/171285 |
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