Artikulasi Pergerakan Post-Hardcore oleh band Rites Of Spring

Rahadi, Akhmad Alfan Rahadi (2017) Artikulasi Pergerakan Post-Hardcore oleh band Rites Of Spring. Sarjana thesis, Universitas Brawijaya.

Abstract

Post-Hardcore berbeda dari Hardcore Punk secara aspek artistik dan aspek attitude. Hardcore Punk dirayakan di Washington DC dari tahun 1980 sampai kemundurannya di tahun 1984. Pada tahun 1985, sesaat ketika Hardcore Punk mulai redup, Rites of Spring muncul dengan Post-Hardcore. Meskipun keduanya berakar dari subkultur punk, dan memiliki cara gaya berpakaian dan etos D.I.Y yang sama, Rites of Spring mengartikulasikan penulisan lagu, aransemen musik, vocal grain, attitude post-hardcore dan interaksi dengan penggemar dengan cara berbeda. Tesis ini mengajukan tiga rumusan masalah yang dapat dianalisis, yaitu bagaimana artikulasi dari Rites of Spring dilabeli Post-Hardcore, mengapa terjadi perbedaan antara Post- Hardcore dari Rites Of Spring dan band - band Hardcore Punk dan mengapa Rites of Spring mengartikulasikan musik mereka dengan cara seperti itu. Metode dan teori yang digunakan dalam tesis ini adalah metode dan teori Artikulasi Stuart Hall. Penelitian ini menggunakan pendekatan studi budaya dan didukung oleh teori Musik Populer oleh Richard Middleton. Ulasan gerakan Hardcore Punk di Washington DC pada tahun 1980an dan gerakan Post Hardcore di pertengahan tahun 1980an juga dipaparkan untuk mendapatkan pemahaman yang lebih baik mengenai latar belakang masing-masing gerakan. Konsep artikulasi memperlakukan praktik budaya sebagai praktik penandaan, di mana makna praktik atau teks tidak tampak secara jelas namun diambil dari produk aktif dari artikulasi sosial teks, dari kumpulan konotasi dan kode yang disisipkan. Dengan menggunakan pendekatan ini, peneliti dapat memfokuskan riset untuk mengenali makna institusional dan makna kontekstual, berdasarkan waktu dan ruang di mana hal itu terjadi. Makna yang tertanam dalam praktik dan teks, konvensi yang menginformasikan produksinya, dan peran agen manusia yang ditempatkan sebagai penonton dan penginterpreter praktik dan teks. Hasil penelitian ini adalah, sebelum artikulasi Rites of Spring dilabeli posthardcore, ia dilabeli Emo-core. Kedua label itu khusus diberikan oleh media. Namun Rites of Spring jatuh dalam paradoks dengan menolak istilah Emo-core sebab konotasi femininnya yang terasa menghina terhadap patriarki yang ada. Lalu, perbedaan yang terjadi dengan hardcore punk karena gerakan post-hardcore mencoba menghapus atribut maskulin yaitu agresi dari budaya slamdance. Post-hardcore melawan maskulinitas hardcore punk dengan melawan stoicisme dan agresi dalam lirik dan aransemen musik melalui gaya pengakuan dan dinamika lembut-keras.

English Abstract

Post hardcore is different from hardcore punk in a way of artistic aspect and attitude aspect. Hardcore punk was celebrated in Washington DC from 1980 until its decline in 1984. In 1985, just when hardcore punk began to dim, Rites of Spring emerged with post-hardcore. Although both are deeply rooted in a punk subculture, and have similar way of fashion and D.I.Y ethic, Rites of Spring articulated posthardcore’s songwriting, music arrangement, vocal grain, attitude and interaction with fans differently. This thesis proposes three problems to be analyzed, those are; how Rites Of Spring articulation was labeled Post Hardcore, why the differences happened between Rites Of Spring’s Post Hardcore and Hardcore punk bands and why Rites Of Spring articulated their music that way. The method and theory applied in this thesis is Stuart Hall’s Articulation method and Articulation concept. This research use cultural studies approach and supported by Popular Music theories by Richard Middleton. Review of Hardcore Punk movement in Washington DC in the 1980s and the Post Hardcore movement in the mid 1980s also presented to gain better understanding of the background of each movement. The articulation concept treated cultural practices as signifying practices, in which the meaning of a practice or text not superficially apparent but drawn from the active product of the text’s social articulation, of the web of connotations and codes into which it is inserted. By using this approach, the researcher is able to focus the study to recognize the institutional meanings and contextual meanings, based on the time and space in which it occurs. Those meanings embedded in practices and text, the conventions that inform their production, and the role of situated human agents as audience and interpreters of the practice and text. The result of this study is that before Rites of Spring’s articulation was labeled as post-hardcore, it was labeled Emo-core. Both labels were solely given by the media. However Rites of Spring caught in paradox by rejecting Emo-core term due to its feminine connotation against their existing patriarchy. Furthermore, the differences that happened between Post-hardcore and Hardcore punk was caused by the elimination attempt of the masculine attribute of aggression of the slamdance culture. Post-hardcore countered the masculinity attributes of hardcore punk by countering the stoicism and aggression of the hardcore punk lyric and musical arrangement through the confessional lyric and the addition of soft-loud dynamic.

Item Type:	Thesis (Sarjana)
Identification Number:	SKR/FBS/2017/431/051706023
Uncontrolled Keywords:	Post-hardcore, Subkultur, Budaya Populer, Artikulasi, Rites of Spring
Subjects:	400 Language > 428 Standard English usage (Prescriptive linguistics)
Divisions:	Fakultas Ilmu Budaya > Bahasa dan Sastra Inggris
Depositing User:	Budi Wahyono Wahyono
Date Deposited:	10 Aug 2017 05:29
Last Modified:	01 Dec 2020 16:12
URI:	http://repository.ub.ac.id/id/eprint/1183

	Text 01. Bagian depan.pdf Restricted to Repository staff only Download (9MB)
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	Text 06. Daftar Pustaka.pdf Restricted to Repository staff only Download (925kB)

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